dc.contributor.author | Dcruz, A. F. | |
dc.contributor.author | Louis, A. | |
dc.date.accessioned | 2021-07-29T20:40:43Z | |
dc.date.available | 2021-07-29T20:40:43Z | |
dc.date.issued | 2021-07-30 | |
dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/2275 | |
dc.description.abstract | Chaplin’s Limelight and A King in New York uncover how political trials often deploy a guilt-byassociation strategy. In denouncing such politically motivated charades of justice, Chaplin becomes a Dreyfusard, a term that reminds one of Emile Zola for the anti-establishment stance he maintained during the Dreyfus Affair | en_US |
dc.language.iso | en_US | en_US |
dc.subject | Charlie Chaplin | en_US |
dc.subject | Dreyfus Affair | en_US |
dc.subject | guilt by association | en_US |
dc.subject | McCarthyism | en_US |
dc.subject | Emile Zola | en_US |
dc.title | Chaplin, the dreyfusard | en_US |
dc.type | Article | en_US |